news headlines

Friday, July 4, 2008

A selection of the local press headline posters, collected in the streets of Cape Town this week.

Chinese-not Black like me

Top Striker for Downs

Cop gun trained on Cops

Boete-skok kom vir Haastiges

Riot to save the kids

Crunch! Two buses crash!

Inititation Bloodbath

Najwa se wuis "nie te Koop"

Verminkte lyk in veld gekry

Anger grows over flooding

New twist in city scholl sex saga

Baboon family causes city chaos

20 years under a tree

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rescued by team in Che Guevara t-shirt

Thursday, July 3, 2008

First news this morning, Ingrid Bétancourt was freed yesterday.
After 6 years in captivity in the arms of the FARC guerilla group, she and 14 other hostages were released thanks to an audacious and impeccably executed rescue operation by Columbia's army.

Soldiers posed as members of a fictitious NGO sympathetic to the rebels and pretended to fly the hostages by helicopter to meet with rebel leader Alfonso Cano.
The rescue, carried out without a shot fired.

Ingrid Bétancourt was captured in 2002 during her campaign for the Presidential election in Columbia.
Here is a video of her after their landing in Bogota:

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happiness...

Sunday, June 22, 2008

Chronique d'un été directed by Jean Rouch
The second film I watched (see the post
welcome to treichville)  from this director, which I borrowed from the Alliance Française in Cape town.
They have one of the most amazing films collection there, I am loving it.

For those who might not have the possibility to watch movies by this fabulous director, here is a snippet from Chroniques d'un été:

The movie opens with a dialogue between Jean Rouch and Edgar Morin about the possibilities offered by cinema-verité and whether the presence of the camera doesn't distort the true behavior of the people they film. Follows a scene where they ask people in the street of Paris whether they are happy or not, the tone is light. Eventually the camera leaves the street to get to the core of the debate, and concentrates on a couple of people that we will then follow throughout the movie. The intensity of the characters sublimates the simple frame of the film. The testimonial are touching sometimes very poignant, but what makes it so vibrant is that the concerns are similar to today's concerns in many ways: Love, racism, wars, education, work, finding a place in society, the possibility, the liberty to better yourself, to better your condition as a human being. The conscience of a human condition similar around the world brought by the socialist ideals had spread consequently since the beginning of 21st century, the movements for independence resulting in the end of the colonial empires bringing these social beliefs closer to reality.

But what about today?
"In all of us brought up in a western democracy, wrote Doris Lessing, there is this built-in belief that freedom and liberty will strenghten, will survive pressures, and the belief seems to survive any evidence against it."
The world reeks middle age and we are pushed to hold on to old beliefs, victim of groups in their last effort to resist, too scared to accept the unavoidable changes that today's societies are submited to. 
I lived most of my life in Europe, French, strongly attached to my country I revendicate my heritage, but I refuse to accept that same heritage as immutable,  and want to move into the future by embrassing the paradigm of multiculturalism.
The idea is not the acceptance of a pluri-monoculturalism but of true multiculturalism
"vivre ensemble".

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pauperization

pau·per·ize (pôp-rz)
tr.v.
To make a pauper of.

pau·per (pôpr)
n.
1. One who is extremely poor.
2. One living on or eligible for public charity.

The term is employed abundantly in today's global landscape.

I hadn't uncountered this word until recently when I heard Aminata Traoré on a radio show called Eclectik on France Inter, with Rokia Traoré as guest of honour.
The show was centered around multiculturalism, new developments on the African continent, and the relationship between China and Africa.

The introduction for Rokia Traoré couldn't set the tone better:
"Neither a princess nor a griot.
She doesn't were a boubou but a shaved head façon Grace Jones.
She may be born in Bamako, but her parents are neither poor nor polygamous.
In short, she has everything to annoy those who support the clichés of the good African savage.
Not quite exotic for whites and too white for blacks, she is now of the right color.
Rokia Traoré leads her boat and her black velvet voice on the road of prejudices, of Mali and blues.
A voluntary exile who had set up her small inner world where the north and south are nomadic like her."

During the show Rokia and Rebecca speak about the different influences that nourish her art, how to embrace different cultures whilst staying essentially Malian, and of course gave a bit of insight into the economic and social conditions of Africa, with the return of the young generation who wants to invest in the continent.

This is where we get to Pauperization. This plea from Aminata Traoré is an excerpt from Bamako. For those who understand french, you can listen to her by clicking on the track in the playlist, on the right hand side of the page, otherwise this is a traduction of her speech.

"Africa is victim, not of its poverty, but of its wealth. When a woman is dying in a village where the chemist has got the medication that could save her, but refuses to treat her because she doesn't have the money to pay, this system of pay or die, this is what the west teaches and what Africa is inflicting herself. Africa is embarked in an ideal of society that it can't afford. What is needed of Africa today is to regain possession of its destiny."

There is also an audio track of Rokia Traoré, about Nelson Mandela, available in the playlist, again it's in french.
This is what she says about him:
"With all the power Nelson Mandela had, he could have made things explode, it's so easy to damage everything rather than build. But he didn't do it, and instead he used his power to build. His gesture is a real lesson for the world and for Africa, and everytime there is a war in Africa I wonder if they thought about him, what he did for this Africa he believed in and fought for, do they think of the greatness of this gesture, that each african should have such a gesture once in his life, so that one day Africa can stand up again. Africa is in need of such grand gestures."

The show ends on the tightening relation between Africa and China to bring new investment. A lot of Africans also choose to go to China to import cheap stock in their home countries, but caution remains in regard to what we exposed above: will Africa benefit more from this new partner than with Europe?
At least things are clear with China, when they invest somewhere they don't come for charity.

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talking about clash

I miss the good old european Hip Hop scene these days, the dizzee rascal, roots manuva, Dj Mehdi, TTC, the exhilarating sense of danger and urgency that comes from their music.

Justice has released a Video for Stress, that has made a lot of noise recently.

Produced by Romain Gavras for Kourtrajmé, this video is gritty, violent, disturbing, and ultimately very controversial.

Some people say it reminds them of Man bites dog, personally I think it's more The Warriors meet Clockwork Orange, revisited sauce 2008.
Romain Gavras takes his film making to new heights, without any compromise, the quality of the image and the editing are amazing.
Don't stop at the realism and the violence of the image because you'd be cheated.
If you haven't seen the video, have a look 
here for some screen grabs and an analysis of the action and characters.

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JR posterises London

Saturday, June 21, 2008


JR is an artivist who is reinventing the possibilities of street art and of exhibition at the same time, by sticking up his gigantic black and white pictures on walls.
I discovered his work 2 years ago, through Kourtrajmé.

His 28 millimeter project his at its 3rd stage, starting in Paris and the Israelo-Palestinian border, he has now taken is camera to post-conflictual areas of Africa.

I am really interested in cultural clashes, and JR's work, explores this idea in a huge way, exposing the viewer and at the same time giving him the space to rid of his preconceptions and stereotypes.

He is exhibiting is work all over London, here is a video showing the installation at the Tate Modern.


This guy is claiming new territories, watch your space.

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welcome to treichville

Tuesday, June 17, 2008



A group of young Nigerians come to Ivory Coast to find work. They end up in Treichville, a poor quarter of Abidjan, lost and rootless in modern civilisation. The hero, who narrates his own story, calls himself Edward J. Robinson in homage to the American actor. Like him, his friends have adopted pseudonyms intended to create, symbolically, an ideal personality.

Work, friendship, music, sports, leisure, girls, love, violence, this film counts the occupations and aspiration, rocked in american movies, of this displaced youth, who came to Abidjan seeking a better future.

Jean Rouch was a French filmmaker and anthropologist who died in 2004 leaving behind him more than a hundred movies.
He is considered as one the pioneers of visual anthropology and the father of ethnofiction.